>

2008/12/28

le tu


mister rhizome has held his end. always in the milieu middle as between thing... ing filation! no alliance ... yes, O alliance ... sensed her warmth .. . not war but
W A R M T H
of the South

and and
and
and
and

A rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo. The tree is filiation, but the rhizome is alliance, uniquely alliance. The tree imposes the verb "to be," but the fabric of the rhizome is conjunction,
"and . . . and . . . and" This conjunction carries enough force to shake and uproot the verb "to be." Where are you going? Where are you coming from? What are you heading for? These are totally useless questions.




colder metallic fingers
snap pop

nostrils steam

Ok hold yer horses
steam whistle
Stop.
gram.
arrive.
tell.
hold
in temple
of
wishing
well
ginger
finger
fin
gerginger
ginger finger

rollypop~

inside the lyric
body of her bowl
her body bowl
i whole
aroun her n'arrow rims
she's held me O So Long
I hold you two ~
I hold her swell
I hold her as well
I hold her too ~
aussi le too ~
her tu ~
ca tu~
le tu
letu
tu ~

le tuEEE
le tu of us ~
_________

dance
around
the
ring
of
your
breast

_______










wolves and greece


Many Greece Not One
The pack, even on its own turf , is constituted by a line of flight or of deterritorialization that is a component part of it, and to which it accredits a high positive value, whereas masses only integrate these lines in order to segment them, obstruct them, ascribe them a negative sign.(One or Several Wolves, ATp 33).
_____________________________________________________

Wolves and Greece. Things are heating up.

What howl? is that Howl I hear ?
ringing cross the planet.
The howl of , the hold of wolves and men ,
the holler of women and wolves ,
the sign of packs and herd.

Heading in the south to the region of delay and lift-off ~ .\


Franny is listening to a program on wolves. I say to her, Would you like to be a wolf? She answers hauthily, How stupid, you can’t be one wolf, you’re always eight or nine, six or seven. Not six or seven wolves all by yourself all at once, but one wolf among others with five or six others. In becoming wolf, the important thing is the position of the mass, and above all the position of the subject itself in relation to the pack or the wolf-multiplicity: how the subject joins or does not join the pack, how far away it stays, how it does or does not hold to the multiplicity”(…)”To be fully a part of the crowd and at the same time completely outside it: to be on the edge, to take a walk like Virginia Woolf (never again will I say,” I am this, I am that”)”.
AtpLateAuS _ many Wolves











Znet Greece watch

writer
has written

A Road to Revolution?

and the whole essay can be seen and read at the Znet Greece watch page
December 27, 2008 By Uri Gordon Source: Haaretz ----------------------------------
Let their Greek souls rise high to the occasion ~





And also from The IndypenDent via
Znet

Making Sense of the Greek Uprising


December 24, 2008
By Costas Panayotakis Source: Indypendent

Knowing I Live in a Dark Age
Milton Acorn

Knowing I live in a dark age before history,
I watch my wallet and
am less struck by gunfights in the avenues
than by the newsie with his dirty pink chapped face
calling a shabby poet back for his change.

The crows mobbing the blinking, sun-stupid owl;
wolves eating a hamstrung calf hind end first
keeping their meat alive and fresh...these
are marks of foresight, beginnings of wit;
but Jesus wearing thorns and sunstroke
beating his life and death into words
to break the rods and blunt the axes of Rome:
this and like things followed.

Knowing that in this advertising rainbow
I live like a trapeze artist with a headache,
my poems are no aspirins...they show
pale bayonets of grass waving thin on dunes;
the paralytic and his lyric secrets;
my friend Al, union builder and cynic,
hesitating to believe his own delicate poems
lest he believe in something better than himself:
and history, which is yet to begin,
will exceed this, exalt this
as a poem erases and rewrites its poet.





The distinction to be made is not between exterior and interior, which are always relative , changing and reversible but between different types of multiplicities that coexist, interpenetrate, and change places – machines, cogs, motors and elements that are set in motion at a given moment, forming an assemblage of productive statements: “I love you” (or whatever). (One or Several Wolves, ATplAteaus 36)



______________________________ Welcome to the Multitude ~ Monsieur Empire ~


2008/12/27

liKe a

Moving, like a tongue moves around a woman's body. Her lover speaks to her through. Signs. far and distant. near and close. close as the dark. a hand reaching her between the dark velvet of its hushed lover grasp.


Still as
she imagines his
hand
around her
his finger leaf
inside
they
are leafs
glued

paired
over river
and
wire


night is a breath he sings ~


_____________




the magic flute

it seems i'v e spent days listening to the Magic Flute _ Mister Mozart ~ as it speak beyond word. this magic opera of light lambent song.
and ive not spent all the time i need to listen to it in sequence properly from start to ending.

such a ravelling and unravelling of identity and beauty ~

2008/12/23

you s...



_


you see her
tender lips 've
not ever
tasted mine



one day ~

Nor do...


Nor do we forget
joy as the bells ring

even there
here in the boisterous noise its past
we found joy

working its rigging through the snow



overcoming the 'nyet' as its swirl capered throughout sky
metamorphosing shifting caul
become yes
yes Yes
yes ~ .

solace ~ renewal bliss ~



We'll head back
we'd head o ut
watch from
watching the world
curl ~


~

add postage


--------------------------------

thus we rain. as spots across the sun. a little poem for you sweet one ~

or rain spouts from hair along the long willow of your tree.
a night dares distance . its longing song.
corralled by buses and train.

stepped across passage bore corolla
of limber light.
heaved flowers hurt their way
barrier aloft ,was
nice as the
sun went
down
down
down



2008/12/22

over the rain

________________

never mind death has no Marshall here.


coarse ice has no name fur
for wearing the belt against it ~
night is dark wind over the lassoed air ~ . can
see no one ~ .

____________________________________
over the rain
bows
wind
truculent
colours
tarnished wind
buckles the beat ~

cuts the feet ~ .




2008/12/21

the organs


'The organs begin by detaching themselves' ... Franny JIll. MOna Oona. Frankly dreamt of being a place. was a city. San Francisco allegory. was dust to wipe was sun to central.

first the language gage. engage. teared t o the lip at each stop. 35. or 36. the narrative starting to chain itself down. feel the collage at the tip of your frottage. chance mister artaud said is desire is god. mister arp said, kaspar caspar.

better

---------------------------- O the D . in the T. when the child ran. off the bus-stop was that a bust or a stop did he stop the violence raining down on his skull?
better
Better to be a tiny quantum flow than a molar converter, oscillator, or distributor!
_______________________
-- G.Deleuze and/or F.Guattari
A Thousand Plateaus (p.226)

Over here the narrative continues. what is not published. so the meditation continues. remembrance of letter past.

the beauty

the beauty of the world's always been your narrative. reason to live. to breath. reason to love. to stay. remain here in this earth . dance of the sun
































not the fetters fierce hard competition of the violence. not that. better a pillow in the sun

than a death in the blood.
better a drowning

lake than a dangerous lie

_________________________________ But O th e ship rocks

hits reef.
________________

2008/12/20

my sister

my sister has finally had her knee operation. replaced her knee. after all those of years of suffering. soon she 'll walk supple and flexible and the beautiful body will be beautiful again. how delicate the mechanisms composing this body.


--------------------

each hour night was pain.
teared to feel the spasm connect.
over hour and second. not a god found
unconnecting pain's sufferance ~ .

------------------------


when she wa s a child she won high board diving competitions.

her hair gleamed in the dark _ halo of a champion. ~







would

____________________________

would a storm create a whole naked body?
yours say in the drifting and diluting of its summer

as you spend with me moi our desire s around the river of your sex , secret lover?

your hair is a rain falling around my hands

the hands are doors knocking at your feet.

every fist has been a prayer.



____________________

not to forgot your there .
you are there.
over there. here. close. inside and out.

_________
a mouth to yours, mine ~ .


i have fought many wars
but none with you ~
it's good mon ami
it's bon ma chere

pardon les soirs
nuages des larmes

______

the

`

the facism of winter.
fasces. its face.
its wintry. hoar. gala benefir fit of death. breath of frost. fist of
winter's pummeled bastarding.

____
the big bashing's begun



`

2008/12/19

... versations av e c... e c r i ivains


Tristan Tzara, en 1949, sur les Poésies de Villon ? "Si forte et insinuante est la valeur persuasive de la poésie de Villon, que souvent il nous semble toucher à un état de conscience mis à nu, tandis que la nudité même de sa voix est empreinte d'une douleur qui dépasse les conditions temporelles où elle se situe."
"I owe much; I have nothing; I give the rest to the poor." Villon
More converSations aVec Des

d'écrivains
Oui E crivains
pas vains

les cons~
quoi? tu dits cons?
mains non je dits contes! un livre de Pierre Berge (oublie pas l'accent Clifford~)
Tous ces textes sont un constant bonheur de lecture et une séduisante manière de finir l'année avec optimisme, et peut-être avec Adolphe, de Benjamin Constant, en suivant l'avis de Marcel Arland, en 1958 : "Voici une oeuvre écrite en quinze jours, puis de lecture en lecture, traînée pendant neuf ans, une "anecdote", l'aveu d'une faiblesse - et cette centaine de pages ont pris place parmi les chefs-d'oeuvre du roman français. Cela tient de la diablerie, sinon du miracle."


L'Art de la préface Anthologie de Pierre Bergé Gallimard, 290 p., 22 €. O GalliMard! GallImArd vos Livres son si cheres! O those EUrOPeans are Soooooooooooooooooo Richeeeeeeeeeeeee Ri
So RiCh ch.

so adore

are you waking Doctor Genet of the flowers? with your hours and letters. bent by the ass you so adore?
we walked we waked with Genet day. that day. Tangier. 1970. Mister Choukri spoke to
us of it. it was hay this nohay as dance was unfurled in the frocking boulevards,
as they so called are, is the ship of Ishmael's taste.

they wake from the Screens les Ecrans

------------------- Oh yes Mister Genet sent you a letter from the place that is other. called dead. but deadalive dead is alive.

Genet Born and unborne this day that time...

Genet born unborne day this time thatthen. O f Genet yer papa ~

so the flowers go
prisoners in chained
over Blacks Balcon
Lou-lou ship to my Devil's island
Ship to my lou
hangman's noose
Our lady of les fleurs
feu
des maladies

2008/12/18

sunny sea

over the sunny sea
leagues knots reefs

whale in rough
r oa r of
backed

blue
dark rim of
its
night
hail

forth
its grim beast

_____________________________



















worka t it

________________________
___________________________________________

you write bad 'pomes' better than anyone I know Mister Duffy
I know, I know I work at it .


'like commas'
you prefer idiom dialect and good old fashioned idiolect!
or just plain idiot!

ya well poetry is purple when it's not prose.
is that how your novel starts?


-----------

Some of the things you toss here
well compared to ... summer day
or moon horned ridge
are apocalyptic peak-cocks

rainyday weirdo dog of the laminations
of french-canada. a longing for france.
deep in yer bowel.s yer brain is a refusnik.
meantime. the Soviet union is over.
EMpire. There is New Empire.-
------------

so you go back and forth between
two apartments. work in wrought iron steel.
gates of heaven . swing. open. roar. of sea. mast of ship

---------------

on the high sea.
of this bucaneer.
cabin.

______________



2008/12/17

long divisions

you saunter long division
and
multiplication ta bles
i'd multiply at your feet

fractions of cardinal numbers

i failed set theory and
long division

O lips of multiplication

revisions and long divisions

------------------------- inside a mirror. opaque. pale. .... aword in your teeth. signiffy what. image narrated author.

suspense. held your breath.

come around the boldfold. not hampered by knees of Hector and feasting. Or .



breath by pause.


now what does that signifiy?

an image an image narrating another


why did you cross the phrases in the stanza quote above

(between squeze is lemon is syllable.)

Why? because i am a baroque writer and I like to make things a mess

(how is better. How is letter.) (Homer keeps the keys.)

what about publication?


what about it ? is this not a form of publication?

where is my public O mister


-------------------- public is twinkled far

woman in subway was only one

for day


.


end the routine S.


___________ JIll hears her fate. across the tramway of . creation. Her decreation is justly sounded thieves. Then make merry across the four thieves of schizoanalysis. ___________________________> Fiction machine of hip and thigh. Of body before piercing window. of voice to aural breath.

2008/12/16

the ship goes thunder


wracks the hate bound rock.

over the cloud rage. dark. wrath of its rage. pours against. against us . punished.

2008/12/15

your bust

winter time is your bust
come to me
baring it i
lick your tits

the sea'll bash us
but we're lovers

we're used to that.
in our own way.
roughed up by the waters
and the tankards goin down
the tankers going down ~



come between each going of your mouth ~
midlands to shore we meet ~

_______________ your teeth cheat in the dark
our bodies cry my sweet one
you know who you are
you know that don't you
__________


hail

here then in the drift walk the flakes
arrows of lightening overhead
their blinking lights glance atop the mast


mist wears down our tears
our faces
buttered by salt we las h at winter's sovereign soil
the lash of winter


-----------
he stumbles mightily
blithers to the


2008/12/14

for ....

in this winter
where the barren lips lfit from the sand

glad to find their way home
cuttered by its almight presence
they feared for their lives

les bucaneers

. “Il faut ri“Il faut rire. Sinon le tragique va nous
faire envoler par la fenêtre.
Ferme la fenêtre”.
(Jean Genet, Les Bonnes)re. Sinon le tragique va nous
faire envoler par la fenêtre.
Ferme la fenêtre”.

__________________ bucaneer kept his hat waving to his porpoise in the dirty atlanticwas the day of downing sailorsnot buckled by the plough of overhead wave
grip the forecastle and hear
your love




(((((((((((((((((((((( Beware the Mighty Octupus)
darling boy
screamed Triton Neptune his great horned cavern riding beachward behind him


2008/12/13

wet sho res



how many went down in the brink?

in the deep of its eye-storm strong-clasped darned to the wool in their seas


wet shores was leaning castles in the rain
the horse reared. neighed.

was rain catapulting the cabin

what ship was going down ?


wil l it be land and sea

at sea we land teared by the breakers
combed back by the wily budding of its bust
swelled to the death beneath


a t sea win t er

is there a winter at sea Captain?

aye aye my sailors my fine fellows of fin waved tooth combed against breakers
curdled the laneway of the hardy spilled forth ocean there was Argonauts


our fiction hale selves met the best of them


_______________________________________

this s ...

this stair is the possible winding sheet

drifted over board
we knocked on
the rapids
deploying
our 'territory'

like any navy



we hummed our way back to land
dripping wet from the phosphate of sea
foam rack and wind rune tossed the petals back


-----____________________________________


a daily

a daily practice
a patience
praxis and round the drift the ebbing bend of sea and light

2008/12/12

Boom! goes the crack of the ship mast!
Boom! rings its hoarfrost downthe pate!
Boom ! it rings in the rigging

c h a r mi g

charming to percevoir les montres et montes tes fesses .
charming to percevoir les montres et montes tes fesses .
charming to percevoir les montres et montes tes fesses .
charming to percevoir les montres et montes tes fesses .


you've hidden
yer many shadyspotting
my lady of the hats
thy body is smooth as guilds
ive not forgotten yer dainty ways

2008/12/10

eyes

uglier than rain. hand reaches. this hiss
round snake hair. lover cover. lover .
covet. shhhhhh. night snaking round your wrinkled aging eyes
i buy no thrill around your thighs.
these are the hungers . you long. gorilla growl darling.
play your pen against me.

------------
first she comes to him with a long neck.
bottle wrapped around her hipping
stretching to get him. hooked round as a
wreath my sweet ~ .

round your hooked navel.
belly-button to your beard.
animal. sweat seam.


_ delight of this bear.

this

this has been your
many cursors
a mouse without a hand
erases
the hair-raising hilt.


shiver me timbers
mister duffy

2008/12/09

that rumour

do you go blind with day or
is night your fare?
pay the trippin' price as stairs go quality.
without contributions you are nothing. the tin
flute. Montreal, 1943. Why that number and no
other . mixing and merging. the direct indirect
the paid of

________________________
at three o'clock the meditation ends
vespers ending dinner beginning. whirls of accompaniment follow
the garment trace.


as winter


as winter recede.
concede. season. receive the woman's .

in air of night is silence.
where the words .
come
from .
always wonder your way.

not the flipping thing which making spaces
breathes round the room
but the sudden silence . between
the cutter and sheaf~

is








dada duffy is a mysterious signer.of flottilas. cloud.
maskings other things. their far sighted journeys to the sun

2008/12/08

hmmmmm 3 2 sizes


O some of this and that ~ that this and ... the ey e ShapE as it Change...

indeed there are spaces between
s p a c e S
________________________________________

Photobucket

_______________________________________________________________
___________________________________________________________
what I like about the world is
that I am always wrong
there's more to learn more to every
edge than I'll ever
know


thus a
ledge

let's say instead of a
storm ~

2008/12/07

Anton Corbijn-Captain Beefheart



they call me the doc







i m a g i n e


Imagine: A man says to Radio: something along these lines. but the world is not manichean. Agreed.A greed. D'accord. but no thanks to god,that old transcendental shit



















whatre you doing mister D
with yeroldcollage

yagottadigit
digitdigit.

digitdigit.


_________________________________________________________
__________________________________________________
________________________________________________________________________________________________________________________
_______________________________________

2008/12/06

They
_______________________

the fact of the matter is that you are swimming
they know you are drifting ...
does snow direct its flakes
(Direct! Direct
ladies and gentlemen!)

does the sun glance
at its readward days?
do nights become evenings.
where does day end. ~ night
fists its care to
day.
begins
again
roughs up
sun

peal pearls before swine
the dogs have been cut loose on history
in the clinique critique there are sicknesses everywhere
.

_______________________________________
ye s indeed there are.
history is mad.

bedlam governs .
________________________>>>>> Move to Bedlam<>


2008/12/04

always

we always go to the bottom
of the sea and air


a long time ago
began the jour
ney
it was like that
key
to heart

heading by waves
rushed overhead

sea roaring with its wilting waves

then lost my memory
that voyage was a terrible
with the briny water all about

clutching tearing its stelae its steeled fingers
hooped into my guts ~

what was the roar of the poet then?

O

was it air breathed
the death dark night


of repetition and its seven sons


her daughter
waved to me from over the briny deep
a thousand thousand leagues from me her arms

waving about me ~

to become



to become a fish and merman

in the sea
salt water for breath ~


this night is air
past the half-mast

each book works like this hiss
of spray underdeck


bellow port side
wrack of weeding latch of forest
ocean crave ~


each

each verse is a
working toward



the forward deck ~

where the roar

of the sea dragon



___________


hollow rim
of sea fiscal

tears the lining
from the cement ~


(is this how Oedipus waves?)
(does she wave goodbye?)
(does she he?
he sea?
she see
she sea?
mer la mer l e mer ~ e )

_______________________




how ...

call me Ishmael ~ is how Moby Dick begins ~

_______________

of course politics is a farce
and it's fun to go along for the ride for a few days
as
one rogue and one prorogued G.G. and parliament do what they do ~
determing millions of lives ridden by media


but then we gotta get back to our work ~
________________
the work is waves and ceilings
dent and cave

blessing and awning
the work of 'the' artist

is shared in the daily duel with its 'travail'
not its play thing of necessity

but art is resistance of consistence of
round the whirling bend of song ~

_____________________________ So ho hey me hearties
democracy of the sea ~
& the high bending pirates ~




je dis... sur un autre sujet...

je dis c’est ça le processus, c’est ça ce qui nous emporte. Évidemment ça veut dire que pour moi les lignes de fuites, c’est ce qu’il y a de créateur chez quelqu’un. Les lignes de fuites, c’est pas des lignes qui consistent à fuir, bien que ça consiste à fuir, mais c’est vraiment la formule que j’aime beaucoup d’un prisonnier américain qui lance le cri : "Je fuis, je ne cesse pas de suivre, mais en fuyant je cherche une arme ?. Je cherche une arme, c’est-à-dire je crée quelque chose. Finalement la création c’est la panique, toujours, je veux dire, c’est sur les lignes de fuites que l’on crée, parce c’est sur les lignes de fuites que l’on n’a plus aucune certitude, lesquelles certitudes se sont écroulées. Alors je dis bien, voilà.


Deleuze
Gilles Deleuze - Anti-Oedipe transcription : Frédéric Astier cours du 27/05/80

proroguee???

can you pro rogue poetry mIster D?
O proRORORO rogations
terminations
purgations

O ProRogue Not Madame Govner General

O Queen's Representative en Canada

Prorogue Non(e)n!

-----------------------the only time to govern
is in th eE
present
questions of bad faith are not really the issue
the issue is one of the moment

let the marshalling forces of the multiple come forth


indeed gracing to become

Indeed

Madame Governer General
Listen to thy poets and collective clochards
and not banks and tanks

thy own country of origin _ Haiti_ suffers
endlessly

infinite
loss
of democracy

due to power monger banks and kings of power

we all know the big boys are being bailed
while billions are wasted around the electronic circuit of the capitalized EARrth.

while millions getto eat nada
or near to it

As in Congo
just toname one godawful place
in this shitass planet

of Big shots
with babes
and bucks
and gangs
and wars
and shit

and
more shit
_________________________ SO let us not Pro_ROGUE
our lives away

but carpe diem seize the time

O Peoples


2008/12/03

"pro_rogue"



this rarely used power is really s ome thing
like this
it is

Pro
Rogue
for them that wish to

sell out their country
to rogues

dissolving what tatters o f democracy
remainder in the spent suit of democracy
in a country run by
brain less
iiddiiootts
knowing nothing of desire
except how to tap, use, and capitalize it.

so if they do "pro _Rogue"
we know they is rogues
knaves
&
villains

indeed


__________________ perhaps once a governer general
in canadian history
might do something significant
and not dissolve Parliament

then she'd be
the hero of true democrats
))))))))))))))))))))))))))))))))))))

PeaCE AND lOVE
TO ALL From the Parliament of True Poetry and directing democracy democratic
becomings devenir-futures
______________________
___________________________ Peace and Love O Canada ~



ye s

will it be hers?
yes
yes
and
yes


of course

yes

yes
y
e
s

hers

chere
elle ~

2008/12/02

seeing



how many earths do you believe in?
at night there are many swirling around the other city
where it's day far as near as any can be

but worried about you stay still
not mocking the peace between you


loved by one that cannot see
seeing you love


__
so day is one to touch
her waist hair
fingers around her eyes
her voice rubbing the night in your heart


is she well?
do you read her?
do you see?

O i see in
these veins of plenty

near to narrative and many stays
(stays? it means a time of waiting for justice)

as her waist whispers to me
I call around her ears

hungry wording telling a story

ours ~
now day
'll
be
in the
then
now ~



of then

of the poem country
city navy army clouds bearings
night

over shade
wisped to earl
past pearl

inside thing
involute
we make many

Canadians for a ProgRessive Coalition Government Coalition PROGRESSISTE CANADIENNE

HowEver imPerfect one might know, see and imagine this movement toward a coalition

one must no t

remain Cynical

but ____seek the affirmative and the positive in this .


_O all these dead beat conservatives so worrried they might lose their grip on Power.


Sign the Petitio
n
____________________http://progressivecoalition.ca/
tHE LINK ABOVE IS both French and English



Making coalition government work

| December 1, 2008

_from good old Rabble CA



____________A little multiplicity might just come along and bite these arseholes up. Cheers. for le vrai democracy.

Imagine if they "prorogue" in other words, call off Parliament ~ that would
be a low blow.

not politically feasible.
---------------------------------------- In any event, there was a coalition go.v. way back in WW1.


The Union Government (1917-20)

Since Confederation there has only been one coalition government in Canada’s history: the Union Government of World War I. This was a coalition between the Conservative Party, led by Robert Borden, and Liberals and independents. The coalition was formed in order to broaden support for the Borden government and its controversial conscription policy.

In 1917, Prime Minister Borden announced that his government was going to introduce conscription to increase troops for the war in Europe. This policy was strongly opposed by many groups in Canada, in particular, French Canadians in Quebec and rural farmers. These groups resented being forced to participate in a British foreign war.

Prime Minister Borden hoped that a coalition government consisting of Conservatives and Liberals would help overcome these growing divisions within the country on this issue. Wilfrid Laurier, then leader of the Liberal Party, was opposed to conscription; he refused to lead his party into a coalition with the Conservatives. Many English-speaking Liberals, however, disagreed with their leader and left the party to join Borden in a coalition commonly referred to as the “Union Government.” Ultimately, the Union Government was successful in wining the general election of 1917 and eventually pushing conscription through Parliament.

With the end of the war in 1918, the primary raison d’être for the Union Government ceased to exist and the coalition began to break apart. Many former Liberals returned to their original political party, and the coalition dissolved completely with Prime Minister Borden’s retirement in 1920.

For more information on the Union Coalition Government:

2008/12/01

essai

ess ai, dissertation, redaction

indeed mister redaction memoire dissertation essai.

and you are reading?

yes Dostoievski _ The Idiot

and
Macbeth

and some others of William Shakespeare ~

et par coincidence je trouve

ca
_________________

but where is yer poetry?
My poetry? it's everywhere
its a recall to poetry is a way of life
un état d'esprit

and so many others
et tant d'autres
et tant d'autres



émission du lundi 1er décembre 2008
Raison de plus avec Michèle Cohen-Halimi et Jean-Pierre Faye




Par Alain Veinstein
Réalisation : Manoushak Fashahi

Entretien avec Michèle Cohen-Halimi et Jean-Pierre Faye, à l’occasion de la parution de « L'histoire cachée du nihilisme : Jacobi, Dostoïevski, Heidegger, Nietzsche » (La Fabrique)

franceculture

day of

first day december

day of first decemeber

first day of december ~


any news?

mister dissertation
monsieur defendre votre

dissertation noun GB Univ mémoire m (on sur).

ils mon ecrits un email et they said soon ~
Oh lala ~

lucky me
___________


find a job yet?

job? moi? bum des hippies?
vieux clochard?
rêveurs des multitudes?

on cherche
un job

on cherche
on recherche

on fait
que est-ce que on pu

pu? ou pue?

-------------

Monsieur Pue a pas bue on 26 années.
------------
et tu mange?
mange ? oui on mange
mais pas des hanches
je mange pas ni des hanches d'une amant ni de un'ange

alors
on mange pas
________



2008/11/30

an InFiNiTe

An InFinIte Joy

if the gobbly goo
government goes

yes yep
away with 'em

the mountains's shine brighter

the sun

hipped by golden
light
'd
gleam
over
Canada's
fair shores



all the oil
barons
from Alberta
with their taxcuts
and
bargain basement
billions
bye-bye

off to the Artic with ya



away with the alien
ation
AlIEN
Nation


o the rise
of the wave

of the

land


come
back

___________________

yer a very much a dreamer! mister DuffeE.
?

O no I am a believer in Multitude and the possibility of
democracy always appearing and
peeping through
the shifty shitty strata
of daily life
and filthy
politics

yes


what a pleasure it would be
a joy it'd be to see the conservatives grandstanded and crashed
a a joy to see the socalled prime beefy alien minister go back
to the benches

what ajoy see democracy work

not a false vote
but a coalition yes mister conservatives

maybe a flow of the many
speaking

rising
roaring

creating
a new government


a path to what might be proportional government
yes
the so called conservatives stinking right wing

who would if they could

take Everything Away

Dont forget that

They would Take Everything Away
the right is the right is the right

the right is always wrong always deceiving always cheating
cheap conservative mean and it goes
without saying
they

are the capitalist war mongering

antihuman outer space

weirdos who are against all progress
unless it serves the interest of the ir whole package

their whole package
is under the disguise
fascism

dictatorship

I cna see a tyrant behind the eyes of the prime beef minister



goodbye

let us hope it happens
the coalition

this might be a crack into a possible becoming future

from rabble ca

Progressive leaders urge opposition parties to form coalition government



OTTAWA, ON - Prominent progressive leaders have come together today to urge Stéphane Dion and Jack Layton to put partisan concerns aside and form a coalition government to serve the best interests of citizens suffering from a global economic crisis.

The open letter follows.

An urgent message to Stéphane Dion and Jack Layton: Only a coalition government can provide the leadership Canada needs

Dear Leaders,

We, the undersigned, write to you during this time of economic crisis to urge that you set aside all partisan considerations in favour of decisive action to help Canadians who are suffering and whose livelihoods are in jeopardy.

At this critical moment, a coalition government would be the most capable of delivering the kind of stewardship the economy needs, and the least likely to put partisan interests ahead of responsible government.

Barely five weeks after promising to work cooperatively with the opposition parties - representing a majority of voters - Prime Minister Harper failed to deliver a plan to halt the devastation being wrought upon hard working families. Instead his Conservative government is using the crisis to attack the democratic process, violate the rights of public servants to bargain collectively and end pay equity.

Canada now stands alone as the only government in the western world without a coherent economic stimulus plan. The Harper government talks of balancing the budget by selling off assets and restraining spending, the exact opposite of the stimulus response that virtually all economists and many others are arguing is necessary.

Time is of the essence. You have an unprecedented opportunity to deliver to citizens a coalition that is capable of putting aside partisan ploys and to work cooperatively and swiftly in the interests of all.

Despite Mr. Harper's contentions, the outrage of citizens and opposition parties is not about public funding of political parties, but rather, it is about a Conservative plan that would actually deepen our country's economic crisis. The Harper government's taking party funding off the table should not be a reason for backing down from your efforts to construct a coalition government.

Please be assured that we all stand ready to offer constructive ideas on ways to help workers, their families and communities weather this storm and emerge stronger than ever.

Signatories:

Ken Lewenza, President, Canadian Auto Workers
Paul Moist, National President, Canadian Union of Public Employees
Dave Coles, President, Communications, Energy and Paperworkers Union of Canada
Denis Lemelin, National President, Canadian Union of Postal Workers
Steven Staples, President, Rideau Institute
Bruce Campbell, Executive Director, Canadian Centre for Policy Alternatives
John Urquhart, Executive Director, Council of Canadians
Mel Watkins, Professor Emeritus of Economics, University of Toronto

This text copied over from


from rabble ca

2008/11/29

this

this will be playa.

nite.
bite apple.

wear dappled mayflowers on yer head.
sur le bus.

many folk. longgying their passage.

I.O.U. silver explainations.

between entre francais et english.
her lipped francais mon levre anglais ~
double becomed~ double devenir ~

___________
Ahoy! me ditty dogs! the sea lent lambast's upon us! Typhoon! Merge of waves. Gorilla talk on sea. Roar of mist. how that can be? in sea Octupus. Rigged by the sea brain. A deep sea diver. Plunged plumed. My hardy ones. Sea wrack. round mouth.. amnesia scuffle. my bare lent ladies have recherche my reckoned.

Now take breath. Sailor boy. Are you a sodium? then? a dolmen a sodomite bridged by yer neck?

Mouth to her sex. leaned into the lust.
O aye! me captain
the capstan is waning!
Watch forth the breaker's is heaving high! roar'em in the poopdeck! must be shore on the hull side o'things!
Yer irish accent's gone looney

beckon me reckon me. tickle me. fickle me.

Mona's won every capsized mate .

'was saturday ...

 _________________


turrrrnnnnnnnnnnnnnnnnssssssszzzzzzzzzzzz out
today was saturday
. a day.
.co here .

________________ Did you wear Horns?
find winter boot?

____________lifted air off couch.
far went Venus de Milo ~ ~

thy opus card is pent with foregoings

______________

2008/11/28

turns out


turns out i was wrong about that line
it was not Ferlinghetti who wroted it

but
William Carlos Williams ....s


William Carlos Williams, "To Elsie" or "The pure products of America / go crazy"
from Spring and all (1923)

The pure products of America
go crazy--

Kleist's line of flight

Considering all Kleist. as bloc. to machine or mulitplicity as mention in machine.
-----------
O Kleist Kleist Keist for Kleist sake!

....Why is the line of
flight a war one risks coming back from defeated, destroyed, after having
destroyed everything one could? This, precisely, is the fourth danger: the
line of flight crossing the wall, getting out of the black holes, but instead of
connecting with other lines and each time augmenting its valence, turning
to destruction, abolition pure and simple, the passion of abolition. Like
Kleist's line of flight, and the strange war he wages; like suicide, double suicide,
a way out that turns the line of flight into a line of death. ....

Kleist: everything with him, in his writing as in his life, becomes speed
and slowness. A succession of catatonic freezes and extreme velocities,
fainting spells and shooting arrows. Sleep on your steed, then take off at a
gallop. Jump from one assemblage to another, with the aid of a faint, by
crossing a void. Kleist multiplies "life plan(e)s," but his voids and failures,
his leaps, earthquakes, and plagues are always included on a single plane.
The plane is not a principle of organization but a means of transportation.
No form develops, no subject forms; affects are displaced, becomings catapult
forward and combine into blocks, like the becoming-woman of Achilles
and the becoming-dog of Penthesilea. Kleist offers a wonderful
explanation of how forms and persons are only appearances produced by
the displacement of a center of gravity on an abstract line, and by the conjunction
of these lines on a plane of immanence. He is fascinated by bears;
they are impossible to fool because their cruel little eyes see through
appearances to the true "soul of movement," the Gemut or nonsubjective
affect: the becoming-bear of Kleist. Even death can only be conceptualized
as the intersection of elementary reactions of different speeds. A skull
exploding, one of Kleist's obsessions. All of Kleist's work is traversed by a
war machine invoked against the State, by a musical machine invoked
against painting or the "picture." It is odd how Goethe and Hegel hated this
new kind of writing. Because for them the plan(e) must indissolubly be a
harmonious development of Form and a regulated formation of the Subject,
personage, or character (the sentimental education, the interior and
substantial solidity of the character, the harmony or analogy of the forms
and continuity of development, the cult of the State, etc.). Their conception
of the Plane is totally opposed to that of Kleist. The anti-Goetheism,
anti-Hegelianism of Kleist, and already of Holderlin. Goethe gets to the
crux of the matter when he reproaches Kleist for simultaneously setting up
a pure "stationary process" that is like the fixed plane, introducing voids

and jumps that prevent any development of a central character, and mobilizing
a violence of affects that causes an extreme confusion of feelings .
. □ 269
1730: BECOMING-INTENSE, BECOMING-ANIMAL ..


...




So a commentator... here in this excerpt below... caught off momenting...... in the glosses on the internet some space, of which to each is Kleist. and Lens O Poor Lens.
----------------"In Mille Plateaux, Deleuze and Guattari repeatedly contrast Goethe negatively in light of Kleist's work. For example, they state, »Tout l'oeuvre de Kleist est parcourue par une machine de guerre invoquée contre l'Etat, par une machine musicale invoquée contre la peinture ou le ›tableau‹. C'est curieux comme Goethe, et Hegel, ont la haine de cette nouvelle écriture«. 6 Several chapters later, they return to the subject, declaring »Lenz et Kleist affrontaient Goethe, génie grandiose, veritable homme d'Etat parmi tous les hommes de lettres«. 7 Finally, when discussing different types of space, they postulate »Pour le moment, il faudrait seulement dire qu'il y a deux sortes de voyage, qui se distinguent par le role respectif du point, de la ligne et de l'espace. Voyage-Goethe et voyage-Kleist?«. 8 In the above examples, Deleuze and Guattari are clearly thinking of such works as Wilhelms Meisters Lehrjahre and, perhaps, the Italienische Reise when they make this distinction between Kleist and Goethe. The distinction is less tenable when one considers more ›minor‹ Goethean masterpieces, such as the West-östlicher Divan and, even, Faust II. ..."



A thousand
thou_ sand


A thous_ and tiny sexes _ my queer lover ~ . we're cut into boxes, blues, bullies, territoriies. what face is this you hold, held to my visage in your hand, in your sex. what double joined one is this?



the machines


Movies, shit, poetry


the machiNes

the machines of yer face
of your ass
assophrenia
yer bod y cut across yer wild's face
this is your nasturbation|



it's the anaoedipal break & cut cupage which makes the difference/

__________________

cheap finality of tawdry remembered film ~ .



peace and potatoes

brim forth their gush ~

Mozart's desiring-machine?
'Raise your ass to your mouth... ah, my ass burns like fire, but what can be the meaning of that? Perhaps a turd wants to come out... Yes, yes, turd, I know you, I see you, I feel you.. What is this _is such a thing possible? ..." (Mozart letter.. to someone ....)





peace and potatoes
wherever
you go

--------------------

Co-posted at radiodeleuzehere